My Top Ten Books for 2014

Many successful writers advise other writers to read more than they write. I enjoy reading, so I accepted the advice without much fight. I set out to read thirty books in 2014 and according to my tracking on Good Reads, I managed to get through forty books this year. A few books were horrible, several were excellent. To look back on my year, I’ve compiled a list of my favorite books for 2014.

Keep in mind this list is for books I read this year, I’m not worried about when the book was released. I also don’t care about format. I read a combination of print, e-book, graphic novel and audio book. I’m concerned with content, not medium. The list includes fiction, non-fiction, how to and humor because I try to be well rounded...

10. The Curriculum by Stanley Bing (audio book): This humorous crash course in business combines concepts in his earlier books (How to Throw an Elephant and What Would Machiavelli Do?) It’s not a funny as the first two books, but it offers more practical advice with it’s laughs.

9. Elektra: Relentless by Rob Rodi and Sean Chen (graphic novel): This book has all the elements of a great Marvel Knights book. It’s a self -contained, character driven story that focuses as more on the humanity of the supporting cast than the “hero” who is almost a force of nature.

8. Words for Pictures by Brian Michael Bendis: Most people see comics as a hobby for nerds and children. A few people see the potential for money with all the movies and TV shows. Word for Pictures focuses on the business and the craft of creating comics in a way I haven’t seen for more than twenty five years.

7. Call for the Dead by John Le Carre (audio book): This turned out to be my least favorite book from one of my favorite authors. Le Carre retains all his skill in creating setting, characters and an intricate spy plot, but the ending he chose seemed forced and unsatisfying.

6. Handbook of Practical Spying by Jack Barth: This light hearted book from the International Spy Museum in Washington manages to offer a lot of real world advice, some historical context and without being dry or convoluted. It’s a painless introduction to modern tradecraft.

5. Being Wrong by Kathryn Shulz (audio book): This exploration of the physical, mental, social, and historical sources of mistakes is disturbing and enlightening at the same time. It doesn’t cover every aspect of error, but it covers enough ground to make you wonder how we haven’t managed to destroy the entire planet by now. 

4. Graveyard of Memories by Barry Eisler (audio book): This is the origin story for the iconic assassin John Rain (soon to be played by Keannu Reves). It contains all the elements of a great Eisler story (meticulous tradecraft, psychological insight and lush settings) but the formula for the story will be familiar to anyone who has read a Rain story before. It’s like listening to your favorite band play live. You know what they’re going to play, but you’re still amazed when they play it. 

3. Sexual Intelligence by Marty Klein: Most sex help books focus on technique or trying to get you back to some golden age of performance in your past. This book focuses on your present and future sexual expression by helping you get past technique and into physical and emotional connection. It rejects performance for pleasure and covers a wide range of sexual situations and examples. The main problem with this book is the people who read it probably don’t need it and the people who need it probably won’t read it.

2. Write, Publish, Repeat by Johnny B. Truant: It’s hard for me to listen to the podcast this book came from (The Self-Publishing Podcast) because the three hosts are friends who work together and spend two thirds of their time on the air self-promoting or meandering off topic. But these three writers have a deep understanding of the business and craft of independent publishing and what it takes to be successful. A lot of my ideas and inspiration to write came from this book when I read it the first time and it is even better the second time around. If you ever thought about writing a book, read this book first.  

1. Talk Dirty to Me by Sallie Tisdale: In a lifetime of reading books, only a handful will be transcendent. Talk Dirty to Me is one of those books for me. This intimate philosophy of sex explores the subject from fundamental questions of attraction, desire and expression and unpacks issues like pornography, prostitution, sexual identity and sexual repression in a thoughtful voice free of shame or blame. Talk Dirty to Me is a book that I’d like to read several more times. It’s not only my favorite books of 2014. It’s one of the best books I’ve read in ten years.

So what was your favorite book of 2014? Comment below and let me know.

Have fun and Happy New Year.

G

Genre Fiction: Conventions, Clichés and Evolution



Fiction writers balance their work on a creative tightrope. On one hand, we create books that fit within one or more categories defined by the public and the creators who came before us. At the same time, we are expected to create stories that transcend the limits of previous tales and break new ground with our craft. If we stray too much on one side, our work becomes derivative. Too far the other way and we run the risk that no one will understand what we are talking about. How do we deal with this balancing act and produce art? I have a theory, but before I explain that, it might be helpful to start with some definitions.

Genre Definitions and Examples
Genre: Broadly speaking, genre is a category of art formed by specific conventions. Fictional genres include traditional categories like mystery and romance and newer concepts like YA and slasher horror.  There are also sub-genres within most of the major genres. For example, thriller is a very large genre that includes legal thrillers, spy thrillers, medical thrillers and many others.

Convention: The conventions in genre fiction are certain standards of storytelling. They can be defined by location (westerns), levels of activity (action adventure vs. cozy mystery), expected emotional impact (romance or horror), type of protagonist (crime or YA), or definition of reality itself within the story (fantasy and science fiction). Within each genre, the interpretation of the conventions can vary wildly. For example, Ian Fleming, John Le Carre and Tom Clancy are all pillars of the spy thriller genre, but each one approached the conventions from very different perspectives with very different results.

Cliché:  is an expression, idea, or element which has become overused to the point of losing its original meaning to become trite or irritating. You are probably all too familiar with the clichés within your genre. The unearthly beauty of the vampire, the maverick FBI/ CIA/ former SEAL of the thriller and the naïve young girl of the historical romance can all fall into cliché because some writers have abused the convention and robbed it of its vitality.

From my perspective, the dilemma lies in how we play with and manipulate the conventions of genre without slipping into cliché. It would be hard to set a western story in modern day Manhattan or have a vampire story where no one sucked blood (or anything else), but how do we differentiate our work from all the other books, TV shows, movies and other stories in our genre that came before us?

I have two ideas. They aren’t really original, but I believe they can help us create work that is.

Creative Combinations
The idea behind creative combinations is that unique concepts can come from the blending of different genres. The resulting work contains more of a unique flavor because the conventions of one genre play off and against the conventions of the other. Examples that I’m familiar with include the criminal fantasy of Thieves World, alternative historical psychological thrillers like The Alienist, criminal horror like Grendel and sci-fi cop stories like Blade Runner and Alien Nation. My latest novel A Taste of Honey is an attempt to combine the crime and spy genres in the tradition of The Usual Suspects, The Way of the Gun and Miami Vice.

The good news about this method is that it allows the writer to combine whichever genres appeal to her, so she doesn’t have to sacrifice her interests for her craft. The bad news is that even with the broad number of combinations that are possible, most of them have already been explored in one form or another, so creative combinations serve as a stop gap measure at best.

Evolution of the Art
The best use of genre is to transcend the conventions to bring the craft into a new era. Writers who understand their genre completely have the chance to redefine the conventions and the genre itself.

Star Wars is the example that comes to mind first. The film at its heart is a monomyth that blends elements of fantasy and science fiction. I’m sure that has already been done before, but I don’t think it’s been done to a level this potent. Star Wars played on standard tropes to become synonymous with space opera. The knights of fantasy stories became Jedi and Sith. The science fiction trope of lasers became lightsabers. The fantasy concept of good and evil itself became personified in the Force.  If you want an idea of how successful genre manipulation can be, look no further than Darth Vader and his friends.

Robert McKee said that genres are useful to writers because they help shape and define our creations into “knowable worlds”. A story that tries to contain too many concepts, too many characters and too many conventions is quickly overcome by cliché. Our job then is to know our genre conventions through research and practice. Our goal can then be breaking from the convention to take our genres into unexplored territory or to create a new genre altogether.
So how do you use genre in your work? Please leave a comment and let me know.

Have fun.
Gamal


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The IPN Top Ten Books of 2013



Reading is one of the essential activities of being a fiction writer. We need to read in our chosen genre to understand its conventions and trends. We explore other genres to widen our palette and find unique inspiration. We read the non-fiction to acquire research for our work and to stay in touch with the reality that we avoid while we craft our artful lies. Stephen King said it well in his book On Writing "If you don't have time to read, then you don't have time to write."

I've been able to read about thirty five books this year through the magic of e-books, audio books and the Comixology app. Most of what I've read has been decent, a few I had to abandon before finishing (See How Often Do You Give Up On A Book?). The following ten books comprise the most outstanding writing that I've been exposed to this year.

Keep in mind that this is not a list of books that were released in 2013. This is a list of books that I have read this year. This list also excludes books that I read in the past and went back to during the past twelve months. It’s not limited by genre or format, it is as well rounded (or scattershot depending on how you look at it) as I am. I've provided links to my longer reviews if I wrote one. Otherwise I just provide a link to the Amazon page where the book can be purchased.
  1. Secret Pilgrim (thriller): John Le Carre closes the George Smiley series with an anthology of stories told during a dinner party for the next generation of British spies. Le Carre takes you through the Cold War and into the war on terror with emotional dexterity, dry humor, somber introspection and great insight into the mind of his fictional spies. This book might be just as good as Tinker, Tailor even if it isn't as well known.
  2. On Writing (non-fiction): This is a classic in the pantheon of how to write books. It reveals not only King’s insight on the craft, but his gift of storytelling as well.
  3. Delta of Venus (erotica): An anthology of short stories that explore various aspects of sexual expression with a delicate sensibility that doesn’t shy away from darker impulses
  4. Batman and Psychology: (non-fiction) This book perfectly balances fiction and non-fiction by using eighty years of Batman’s postindustrial mythology as case studies for various psychological conditions. 
  5. The Court of Owls (crime GN): This book blends a manipulation of the Batman mythology with some fanciful zoology about the animosity between bats and owls. The result is a fresh and enjoyable take on an icon that manages to retain all the things that make Batman interesting. 
  6. London Twist (thriller): A novella that marks a slight departure from Eisler’s established conventions and an expansion of his creativity with very pleasant results.
  7. Grendel Tales (crime GN): This book takes two minor incidents in the mythology of the assassin Grendel and unpacks them from the perspective of their doomed protagonists. Fans of Hunter Rose will appreciate the alternate resonance that these stories provide. New readers will be confused by who or what Grendel is, but that enigma will enhance rather than detract from the story.
  8. Merrick (horror): Anne Rice brings her Vampire Chronicles and her Mayfair Witch series together in this book that also includes ghosts, voodoo and magic from the Incas, Egyptians and Christian mysticism. The glut of supernatural forces can be too much at times, and the long flash backs were sometimes difficult to get through, but this was still an excellent Halloween read.
  9. The Killer (crime GN): This is a French book about a lone assassin who has to eliminate his targets, avoid being double crossed by his allies and battle the demons in his own mind in order to survive. It doesn’t push the genre into new territory, but it brings a minimalist flair to established conventions that recall excellent films like La Femme Nikita (See Bloody Inspiration Part 1: My Top 21 Films)
  10. Hawkeye (GN): In the wake of the blockbuster Avengers film, this is a light hearted take on the groups least powerful member. If you ever wondered what a superhero does when he's not saving the world or hanging out with billionaires and thunder gods, then you will enjoy this book.


So what are your favorite books of 2013 (besides the one you wrote, obviously)? Leave me a note in the comments and let me know. I’m always looking for new books to read in 2014.


Have fun.
Gamal

Bloody Inspiration Part 4: My Top Five Thriller Authors



News of Tom Clancy's death today got me thinking about the writers who have consciously affected my craft. I'm sure that my writing has been influenced by dozens of writers on a subconscious level, but I'm going to stick to the ones that I'm aware of, because I don't want to spend hours in psychoanalysis just to write a blog post.

Here they are in order of importance to me:

1) Barry Eisler
Signature book: Winner Take All (Rain Storm)
Signature character: John Rain
The stories set in the John Rain universe resonate with detailed tradecraft and sudden violence. Eisler conveys a sense of realism that is missing from many testosterone driven espionage thrillers. He also delivers a sense of characterization and true character (See Creating Complex Characters) that is unique in a genre of cookie cutter assassins, maverick FBI agents and special forces tropes. If there is anyone I want to compare my books to, it's Eisler's.

2) John Le Carre
Signature book: Tinker, Tailor, Soldier, Spy
Signature character: George Smiley
Where other authors treat spies as modern day daredevil adventurers, Le Carre offers a vision of agents and case officers that is much more human. Flawed personalities, personal distrust and institutional apathy hover over everything in his work. But there is also a charm and a wit that he will use to turn a phrase or describe a situation that is amazing to experience,  whether he is lifting you up or bringing you down. I hope one day to have both Le Carre's gift of language and his grounded characters.

3) Greg Rucka
Signature book: A Gentleman's Game (Queen and Country Book 1)
Signature character: Tara Chace
Rucka's Queen and Country story has found success both as a series of novels and comics. Rucka combines the bureaucratic infighting and troubled spies of Le Carre with the action and high body counts of James Bond. He also focuses on a female protagonist, something that is sadly rare in the espionage genre. Fortunately, I'm trying to change that with my novels.

4) Brian Azzarello
Signature book: 100 Bullets
Signature character: Agent Graves
Unlike everyone else on this list, Azzarello makes comics, not novels. But that doesn't diminish his craft in any way. 100 Bullets weaves crime, conspiracy, politics, sex, violence and social commentary seamlessly in a story that stretches from the discovery of America to the present. The visual nature of the story enhances the raw beauty of it in a way that prose can't accomplish on its own, no matter how much I try.

5) Tom Clancy
Signature book: A Clear and Present Danger
Signature character: Jack Ryan
Clancy's books don't really have a strong influence on my writing. I consciously avoid the type of highly technical descriptions that often left me confused and pulled out of the story when I read his work years ago. I also try to avoid the super patriotic undertones of good vs. evil that he fostered and the impossibly high, end of the world stakes that were common place in his books.

I do draw a lot of inspiration from the universe he created. It was through books like Patriot Games and The Sum of All Fears that I learned to appreciate the complex relationship between the US military and its intelligence services. His books taught me the importance of set ups and payoffs in a narrative that are pure art when done his way. Most of all, I constantly look to the work derived from the Ryan series and expressed in games like Rainbow Six, Ghost Recon and Splinter Cell. Clancy may not have invented Sam Fisher, but he is the godfather of the techno thriller and characters like Fisher couldn't exist without him.

So who are your favorite thriller authors? Who influences what you write and read today? I'm always looking for new authors, so please provide a book title if you can.


Have fun.
Gamal

See Also